AFTERIMAGES AFTERHOURS

AFTERIMAGES AFTERHOURS - EPISODE 5

Welcome to Afterimages Afterhours

Afterimages Afterhours is a video series with a behind the scenes look at what the dancers and choreographers are working on as they prepare for Afterimages Unplugged and Afterimages. This weeks episode introduces you to choreographers Ayla Jakes, Brittany Osborn, and Monica Endres.

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MEET THE CHOREOGRAPHERS - KATELYN PIEPMEIER

Meet Katelyn Piepmeier Katelyn is a fifth year dance and business entrepreneurship double major. The title of her piece is Communion. Learn more about Katelyn and her piece below! Can you give us a brief description of your dance? The style of movement, inspiration behind the choreography, message of the dance, etc. I started with Contact Improvisation and through the process discovered set material that relies on weight sharing, partnering, and group connection. I was interested in the possibilities and limitations of having four bodies stay connected through touch throughout the entire dance. This piece represents the truth that the actions of one individual affect everyone else whether they are intended to or not. It is not our choice but rather something outside ourselves that causes this unity. How do you personally prepare for your rehearsals? Do you choreograph on the spot or come with material prepared? What is your process like? While I do pu

MEET THE CHOREOGRAPHERS - JENNA ZIEBARTH

Meet Jenna Ziebarth Jenna Ziebarth is a fifth year dance major. The title of her piece is Leaves . Read below to learn more about Jenna and her piece! Can you give us a brief description of your dance? The style of movement, inspiration behind the choreography, message of the dance, etc. Leaves is a work in three parts and follows the journey of human life. The work explores memories, acceptance, beginnings, and endings. How do you personally prepare for your rehearsals? Do you choreography on the spot or come with material prepared? What is your process like? In the past, I've tried to come up with material prior to rehearsal and relay the material to my cast, but important details always got lost in translation. I decided this year to take my time and think of everything during rehearsal as I worked with/watched my dancers. I've been very focused on minimalism and reality for this work, so I've approached this work in rehearsal wi